For the food metaphors, we have only to look at the title and its subordinate:
Bread, butter, with a side of surprise
How delightfully wordplayee!
In big season finale, Philharmonic leaves audience hungry for more
Squeee! I can never have too many food metaphors.
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For the modern music, we need to take the Delorian for a ride.
“La Creation du Monde [sic],” composed in 1923 by Darius Milhaud, is a jazz-influenced ballet in six parts, inspired by the Parisian composer’s strolls in New York’s Harlem in the 1920s.
Also, badass punk rockers have no need for acute accents.
I may be giving music director Itkin too much credit, but programming the Milhaud seemed like the conductor’s punk-rock move, signalling to the audience: “Don’t get too comfortable.”
Anarchy in Sugar Hill!
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And for the redundancy, behold:
And then the main event, the robust men robustly echoing and volleying with the clarion women in the resounding variations, building to the cathartic, celestial “Ode to Joy,”
...wait for it...
which evoked a surge of joy [...]
It’s good to be back, Detritusites! Stay tuned for more regular postings.
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5/19/09
Food Metaphors, Modern Music, and a Side of Redundancy
Posted by Empiricus at 12:27 PM 4 comments
Labels: Aliens can do modernism, Beethoven, Darius Milhaud, David Itkin, food metaphors, Joe Brown, Las Vegas Sun, redundancy
2/4/09
Craigslist: Gusman Hall Area, FL
For sale: A nicely performed Schubert. Only 201 years-old! Sorry, no longer under factory warranty.
Written in the last year of Schubert's short life -- the composer died at 31 -- the [Piano Sonata in B flat, D. 960] carries a firm sense of autobiography...
Autobiography actually lost in house fire, around 1885 (?). All other documentation lost as well. But take it from an experienced musician who has owned this magnificent piece for over 30 years!
May contain structural redundancy:
[Pianist Radu] Lupu's explosive minor-key outbursts showed that there is no victory to be found beneath the work's surface superficialities.
Otherwise in near mint condition. Has been played on a Steinway from the best years (mid-1920s).
A one of a kind piece, adorned with many colorful adjectives!
...its main theme's progress continually undermined by malign bass trills and harmonic displacement.
and
...the works' improvisatory qualities with their dynamic jolts and hectic humor.
Recently inspected by the Miami Herald. Selling for $12,500 (appraised at $15,000) OBO. You won’t be disappointed! Take it for a test drive, here, here, here, here, and here.
Scammers not welcome.
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Posted by Empiricus at 10:39 AM 2 comments
Labels: adjective drunk, Lawrence A. Johnson, Miami Herald, Radu Lupu, redundancy, Schubert