I’m no expert on opera, admittedly—some I like (Morton Feldman’s Neither, for instance), but, in general, operatic vibrato tends to send my mind into a semi-schizophrenic state, seriously (oh, the price we pay for color!)—which is why I have rightly abstained from opera meta-criticism. Until today, sort of.
Surfing the newspapers, while eating my breakfast of champions (Coke, Doritos and Goobers), I was drawn to a particular picture that accompanied an article about opera ticket prices.
I thought it would be fun for you Detritus folk to meet the characters of this opera.
He-man, as Hunding.
Creepy Mel Gibson Scots, as Die Walküre
And Clifton Forbis, as the Michael Jackson “Black or White” morphing face, not quite He-man, yet not quite Scot.
Here.
I’d like to think that someone working with the Metropolitan Opera’s costume designers would have caught the humorous resemblance.
Enjoy!
Showing posts with label Braveheart. Show all posts
Showing posts with label Braveheart. Show all posts
4/10/08
Castle Grayskull: A Momentary Diversion
Posted by Empiricus at 12:46 PM 4 comments
Labels: Braveheart, Clifton Forbis, He-man, Metropolitan Opera, Momentary diversion
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