"A Flower From The Garden Of Life"

Did you know that Thurland Chattaway wrote his song, “ Can’t You Take It Back And Change It For A Boy?” in 1911? Didn’t think so. That must mean you don't know anything about American music.

Intimidated by the likes of Mozart, Beethoven and Brahms, [English-speaking] classical-music establishments and audiences seem to assume that all things good and great come from the European continent.

Seriously, mentioning Thurland Chattaway probably wouldn’t spark too many conversations.

Both Brits and Americans seem almost apologetic for their native musical heritages.

If, however, Thurland is all you think we think we have, then I think you think you’re still in 1911. Then again, I've never heard of Ives or Irving Berlin. Blecht. BLECHT. BLLEECCHTT.
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Lark Hunting

Let’s go. I’m all ears.

[Vaughn Williams’] death was symbolic of another death: that of contemporary classical music as a mainstream cultural activity.

Yup.

In Vaughan Williams's day, the premiere of a new work of music was a significant event. No one would be considered culturally aware unless they were au fait [sic] with the new Vaughan Williams symphony.

Can’t argue with you there.

Today, any averagely informed person has read the latest fiction and seen the buzz films and theatre. But new music - serious rather than pop or rock - is a cult pursuit among a tiny proportion of the already small minority who are interested in culture.

Obviously.

Classical music took a wrong turn in the period after the death of Vaughan Williams.

I couldn’t agree more.

The ruination of music as part of mainstream culture came largely because of subsidy. Composers stopped writing for their public and wrote instead for the small clique that was responsible for commissioning pieces.

Idiots.

The cultural commissars were obsessed with theories of music that held that melody was no longer a legitimate tool and only atonal music was appropriate to the age.

Kill the pig! Cut her throat! Spill her blood!

Their dominance of the subsidy racket meant that not only were composers freed from any obligation to secure an audience for their music, but they were pilloried and starved of funds also if they did attempt to do that.

Serves them right!

Vaughan Williams was the last composer to speak directly to a wide audience...

You lost me.
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