Showing posts with label Tim Lee. Show all posts
Showing posts with label Tim Lee. Show all posts

12/7/08

Heroic Acts of Uploadery

We’ve probably all heard of the YouTube Symphony Orchestra, to be conducted by Michael Tilson Thomas (known acronymously as MTT). YouTubers can download Tan Dun’s new score, videotape themselves playing it, and upload their videos in the hopes that their performance will be one of the 150 accepted, which will then be superimposed onto the other videos culminating in one, gigantic collage. Meh. Could be interesting, I suppose.

Though, there’s something unusually ripe about all this hubbub.

To quote Anne Midgette:

The idea, launched by two YouTube employees at an offsite retreat about a year ago, is being greeted enthusiastically by the classical music world, which Tim Lee, one of the project's initiators, tactfully described as "hungry for innovation."

See, there’s being innovative, and then there’s...

Well, there’s the title of the piece:

"Internet Symphony No. 1: Eroica"

There’s YouTubing, then there’s...

...heroic YouTubing?

Even if the title isn’t supposed to reflect this new-fangled symphonic process, it’s quite the presumptuous, baggage-heavy, maybe even cocky, reference to one of the (emphasized: THE) most important symphonies ever, ever. Beethoven’s Eroica was trĂ©s innovative. It almost single-handedly ruined music, evermore.

This begs the question: How does Mr. Dun exhibit an heroic brand of music or innovation worthy of the name?

Speaking by video feed from London, Tan Dun said his piece attempts to connect "ancient and modern...”

Not original.

“East and West..."

So he’s rewriting his previous work?

...with actual [music] quotes...

As opposed to...? Original music quotes?

...with actual quotes ranging from a snippet of Beethoven's "Eroica..."

Heroic snippet!™ Get yours today and shipping is free!! For a limited time only. See store for details.

...to rhythmic footprints of Tchaikovsky to percussion effects that echo the street noise of today's global environment.

It’s no walk in der Wald, anymore, given today’s global environment! (enter Beethovenian urban/pastoral pun here)

Like I said, it could be interesting. There are plenty of supporters, for what that’s worth. (enter empty rhetoric here)

I just don't think it sends out a good forward-looking, classical-music-can-be-innovative-too message; it seems facile and terribly out of touch with organic properties/functions of the internet.
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