Showing posts with label old people. Show all posts
Showing posts with label old people. Show all posts

10/14/10

Just Saying It Doesn't Make It So...

But it's a nice sentiment nonetheless:

Chicago Symphony Orchestra: not just for old people
(Erin Schumaker, Medill Reports (Northwestern University Medill School of Journalism), 10/13/2010)

As a bonus, it's a cogently written and, apparently, edited (!) article, if a bit of a fluff piece.

Still, it's nice to see that not only is classical music still attractive to younger people, classical music journalism may just survive into another generation yet.

Extra points for the hilarious title, even if it does reinforce an unfortunate stereotype (the very one that the article attempts to dispel).

2/5/10

Friday Quickie -- Asshat Edition

I ran across this blog entry from Steven Humphrey on The Portland Mercury's website a week or so ago. The Mercury is an alternative (read hipster) newspaper in Portland, Oregon primarily dedicated to covering the popular music scene in and around Portland. So, to be fair, they don't really cover classical music. And for this reason I hesitated to reprint this on our site. But upon further consideration, it's an intelligent and lively exchange of ideas that I think the Detritus readers would be remiss not to have read.

Today's Symphony Review. SNORE!!!!

HA! That's so funny. Because you know, now that I think about it, classical music is boring. Awesome.

figure symphony concert: BOR-ING!

As you probably realize, we jaded, tight-pant wearing hipsters here at the
Smirkury HATE THE SYMPHONY!!

WHY?!

Why?

Yes, why?

Because it is OLD... TIMEY, yo!

Well, fuck, I've never seen it put so succinctly before. It is OLD! And for the most part I hate everything old too. But that can't be the only reason...why else do you HATE THE SYMPHONY?

The symphony is for Metamucil...

hehe...old people have more health problems than young people. Awesome reference!

figure boring: Old people like the symphony.

...Metamucil sippin' bucket kickers who are too freaking SQUARE to listen to the greatest band of all time (Vampire Weekend, 'natch).

figure old people: Old people don't know the greatest band of all time and, therefore, deserve our ridicule




figure greatest band of all time: Greatest band ever?! Talk about the greatest understatement of all time. I have no idea how I was able to make it through my life without this!

However, for the two or three creaky old-timers who accidentally stumble on to this site while trying to figure out their AARP benefits...

Ha ha! Old people need non-profit lobbying groups.

...or how email works,...

LOL! And they're terrible with technology. What a fucking waste of space old people are.
figure moe: "Call this an unfair generalization if you must, but old people are no good at everything."

Did you have help writing this, because I'm not sure it's humanly possible for one person to be as awesome as you.

...here is the latest in the weekly scolding emails we receive from symphony lover (HA!) Brian Horay. (Seriously, he writes us, like, every week. Can't he Twitter this?)

Fucking old guy doesn't use Twitter. Because everyone knows that the only way to be hip or cool is to use Twitter. Just ask any 13-year-old.

So, what email did this fucking loser send? ...

...wait?...he sent an email? Dude, Steven, I thought you said old people couldn't figure out email.

Fuck. Now I don't know what to think...
Dear Mercury: I've completely given up on you. Not only did soloist Chee-Yun tear up the Schnitzer with a 302-year-old violin at the Oregon Symphony this weekend, she was also featured in a Curb Your Enthusiasm episode last fall. All this without even a mention in your so-called music previews. If Horse Feathers was playing a show with a 302-year-old fiddle, it would have been on your fucking cover. Once again, you've managed to drop the ol' proverbial ball.

Brian Horay
SE PDX
You're totally right, Steven Humphrey, old people are just TOO SQUARE to be taken seriously.

It's hard to see how you've managed to tolerate totally bogus emails like this for so long. Thanks for putting this old guy in his place. It's really a public service you're providing and frankly, it's probably the Lord's work you're doing (I can only assume that God hates old people too).

So from one music lover to another, Thanks. And, oh, by the way...

figure fuck you steve: "Fuck you, Steve."

FUCK. YOU.

Here's hoping some old woman hits you with her out-of-control Camry.

10/18/08

Pwned!

Beyond mere description of the event, Mark Swed adds his own brand of cynicism, which I think speaks volumes about the state of classical music. Here, on AndrĂ¡s Schiff:

Schiff's intimate playing can be nervous-making. He has had a hard time in Disney in the past. He creates such an atmosphere of attention that any little thing can be a disturbance...

Now, I’m not so sure that “nervous-making” is really a thing, but Swed’s point is clear. In fact, it sounds like Schiff’s on-stage presence is rather transcendental.

...and listeners can get so wrapped up in his sound that they forget themselves, drop canes and the like.

Damn. Pwned, old people! And also, pwned, young people who don’t go to concerts and miss awesome performances by awesome performers like Schiff!

If only he said, “they forget themselves, become incontinent and the like...” That would’ve been super cool times like a trillion.
-

2/15/08

Composer of the Day!

Today's Composer of the Day is Elliott Carter.

(b. 1908)

That's right. He's still alive! Mr. Carter will turn 100 this December. If I was a reasonable, patient man I would have waited until then to write about him. Oh, well.

Mr. Carter has written approximately one bazillion works.

He writes for voice, piano, chamber ensembles, orchestras, and about every combination you can think of. He is very prolific!

He is a longtime New Yorker.

Since it's the centenary of his birth, many many events are planned to celebrate him in New York, and elsewhere.

A good example of his early style is the Cello Sonata. It's neo-romantic-y and accessible.

His five String Quartets are justifiably popular, and famous. They are more abstract and thorny. They explore ideas about space and rhythm and time. He "invented" a technique called "metric modulation".

I also recommend his Concerto for Orchestra. It's...good.

You should listen to his music. Like Canaries for tympani. Oh, here is a score for you to look at!